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His novels include There Must Be a Pony!, Good Times/Bad Times, P.S. JAMES KIRKWOOD ( Book) was a Broadway and television actor as well as half of the the comedy team Kirkwood and Goodman before taking up writing. He won his seventh Tony Award for 1981’s Dreamgirls and directed its acclaimed 1987 Broadway revival. In 1979 he produced, directed and choreographed Ballroom, which was nominated for eight Tony Awards and won Mr. In 1976 he and the other authors of A Chorus Line were awarded the Pulitzer Prize for dama. A Chorus Line, which he conceived, choreographed and directed, won nine Tony Awards. In 1973 he made his debut as a dramtic director with Twigs which starred Sada Thompson. Look, my eyes are dry, the gift was ours to borrow,Īnd I won’t forget what I did for love, what I did for love.Īs we travel on, love’s what we’ll remember.MICHAEL BENNETT ( Conception, Original Director/Choreographer) choreographed Promises, Promises Coco Company Follies (which he co-directed with Harold Prince) and Seesaw (which he also wrote and directed). Kiss today good-bye, the sweetness and the sorrow,īut I can’t regret what I did for love, what I did for love. Here’s the song from the original 1975 Broadway cast recording (enjoy the 70’s vibe):Īnd here are the lyrics (a somewhat abridged version, as this is copyrighted material): Be sure to read the desription below the video: Here’s an excellent performance using that format. 2020, when choirs were having to go virtual. But their “love is never gone.” No matter what, they’ll remember what it was like to be up on the stage and dance. Those players had to realize that they loved something passionately, the piano, that could never love them back. As I was writing this commentary I was reminded of an article I once read about piano players participating in a competition. “We did what we had to do” to be able to dance, and now the one who will no longer participate in the “sweetness and the sorrow” asks her colleagues/competitors to “wish me luck.” In the end, whatever happens, anyone who has focused all her hopes on this one thing “can’t regret what I did for love.” Taken line by line, this piece is a moving portrait of someone who has given her all to something she knows will come to an end. “Kiss today good-bye,” refers to the director’s question about the end of a dancing career, not to the end of a love affair. When you realize that this is a love song addressed to a pursuit and not a person the words make much more sense. All of the dancers feel the way she does: they have poured their lives into dancing and can’t regret having done so even with all the dashed hopes along the way. “If today was the day you had to stop dancing, how would you feel?” Immediately the character Cassie responds with the song. He’s carted off to the hospital, and the cast is left to realize that the same thing could happen to any one of them. The immediate context of “What I Did” is a potentially career-ending event: a dancer falls during a tap routine and re-injures a knee that has just had surgery. There’s a double layer of meaning here, if you think about it: the cast performing the musical has had to go through tryouts in order to now perform onstage the story of a prospective cast going through tryouts. Each one has come to this life by a different route. Along the way the hopefuls are asked to tell how they got into dance.
#Who wrote the chorus line music series#
Eventually the arc of the story was developed as a series of scenes from initial tryouts for the musical through to the point at which the final casting decisions have been made and the chorus line has been chosen.
#Who wrote the chorus line music professional#
The dancer and choreographer Michael Bennett wanted to show what the life of a “gypsy” (a chorus dancer) was really like, and the script started out as a series of tape-recorded stories of real dancers talking about their personal and professional lives as they got together after rehearsals for other shows.
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The entire action of the musical takes place on a bare stage, although there are plenty of props and also some imaginative use of mirrors. This selection is taken from the enormously popular musical A Chorus Line, which ran for over 6,000 performances in its initial run on Broadway starting in 1975
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It is, however, a song about passion, in this case a passion for dancing. No, if by “love song” you mean a song about romantic love.